2010
For clarinet, piano and string quartet. Commissioned by the German Ensemble
"Maris-Ensemble".
The conception of the sextet is inspired in elements of the ritualistic dance of the Mapuche people, natives of southern Chile. As for us here in Europe, dance is for
them a ritual, in which repetition plays an important role. "Pürún" means "dance" in Mapudungun, the language of the Mapuche people, while "raquis" comes from the Greek
ῥάχις and it refers to the concept of "spine" or "backbone". This unusual "backbone dance" occurs in the sound context of a symmetric harmony
with a character rich in contrasts, sometimes quite agressive and sometimes extremely gentle.
For ensemble.
For male voice choir. Based on my homonymous poem, written in four languages. Each singer must write an own Text as well.
Music for ensemble of 2, 4, 7, 14 or 28 interpreters. Mutagiróplanos is a structural graphic guide for group improvisation. The piece constitutes of 28 states and each participating person interprets the same number of states. The temporal order of the states may be defined individually or jointly. Each state's duration may be either fixed in advance or improvised. The interpretation of the states and the implicit structure is free.
In der Transparenz die Bewegung
Lied for voice and piano. Based on my homonymous poem. Premiered in Saarbrücken, Germany in June 2010.
2009
Lied for voice and piano. Based on my homonymous poem. Premiered in Saarbrücken, Germany in December 2009.
Lied for voice and piano. Based on my homonymous poem. Premiered in Saarbrücken, Germany in December 2009.
For 4 Loudspeakers and Audience. A pretentious lightweight surrealist and cryptic parody to ontology of music. Time and space subjugated to esthetic principles. Based on my poem Ich klinge, ich bin (I sound, I am). Premiered at the Stadtgalerie in Saarbrücken, Germany in November 2009.
For piano and percussion. Premiered in Saarbrücken, Germany in December 2009.
For piano. Premiered in Saarbrücken, Germany in May 2009.
2008
Time game, space game and improvisation for viola, electric guitar, cello, trombone and quadraphonic pre-composed electroacoustic track. Premiered at the Schlosskirche Museum in Saarbrücken, Germany in June 2008.
2007
For 8 violins. Premiered in Saarbrücken, Germany in February 2008.
Controlled imporvisation and experimental music theater for trombone and octophonic live electronics. Premiered at the Saarland Museum in Saarbrücken, Germany in July 2007.
The trombonist, who finds himself surrounded by 8 live controlled speakers, plays his instrument in the most unusual fashions
and acts interacting with the variety of audio signals that come out of the speakers. The musician in charge of the live-electronics builds an each time
different spatialization with pre-recorded material and audio being recorded live during the performance, creating a musical richness in time and space,
offering music interrelations for the public to discover and enjoy. The piece is divided in five parts:
1. Awakening (childhood)
2. Introspection (adolescence)
3. Dialogue (youth)
4. Memories (adulthood)
5. Death (old age)
2006
Bassoon duo for 2 bassoonists, 2 bassoons and 1 contrabassoon. Premiered in Ottweiler, Germany, in 2007 and recorded professionally the same year at the Saarländische Rundfunk, the state radio and television station of Saarland, in Germany.
2005
For Organ. Premiered in Saarbrücken, Germany in February 2007.
2004
For sampled piano and computer. This piece is meant to be played by a computer.
2003
For synthesizer, electric guitar, electric bass and percussion.
2001
For harpsichord. Premiered in New York, USA in 2002.
2000
For voice, violin and piano. Recorded professionally at Pontificia Universidad Católica de Chile in 2002 and premiered at the Center of Extension of Culture of the same university later that year. This piece was included in the album Construir, sonar, pensar, produced together with other Chilean composers thanks to the financial support of the Ministry of Culture of Chile.
For clarinet trio, 2 in Bb and 1 bass clarinet. Premiered in Santiago de Chile in 2001.
1999
For Vibraphone. Premiered in Santiago de Chile in 1999.
2006
An electroacoustic work for the short film "Zwillinge" from Julian Bergheim. Premiered in Saarbrücken, Germany in 2007
2005
An electroacoustic work for the short film "Nebensache" from Claudia Stange.